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This is my absorb favourite Argento movie, but if you try and work out the area it will drive you nuts. It’s best viewed as a sad and incredibly gory fairytale and companion-piece to Suspiria. Irene Miracle becomes intriguing about the history of the obsolete Original York mansion block where she lives. Expansive mistake, but oh forget the logic. Unprejudiced lap up the marvellous set-pieces: a swim through an underwater apartment (why is it flooded? don’t even ask!), a witchy teenager and a cat who materialise during a music tutorial, a slasher assassinate spot to the Slave’s Chorus from Nabucco, a rat attack in Central Park – I could go on but spy it for yourself. The soundtrack is an bold blend of Verdi and – wait for it – Keith Emerson. Sheer bliss.
The soundtrack – it’s Nabucco by Verdi alternating with Keith Emerson, who at one point does a twangy current rock version of the noted Slave’s Chorus, Va Pensiero! This is a film of magical, atmospheric and occasionally very gory set-pieces rather than any logical story, so anyone looking for a pacy status where everything is explained at the extinguish will be severely disappointed. The sage deals with the second of the Three Mothers first mentioned in Suspiria and flits between Fresh York, where a young woman discovers that the Art Deco apartment block where she lives harbours a deep, murky secret, and Rome, where her brother is a music student who is blissfully unaware that he and his friends are about to enter a world of distress. Watching it is like being immersed in a deliciously scary nightmare where you never quite understand what’s going on.
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