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CD-ROM is the offspring of video disc technology developed in the 1960s and early 1970s, before the advent of the home VCR. The goal was to store movies on the disc. Different companies have a number of methods for storing video signals, including the use of a needle to respond mechanically to grooves in a disc, much like vinyl LP record does. the consumer products industry spent a great deal of money developing the different technologies, including several approaches to optical storage. Then they spent years fighting over which approach should become standard. The surviving format is one called laser vision. By the time laser vision emerged as the winner, the competing developers had not only spent enormous sums of money but had also lost important market opportunities. These hard lessons were put to use in the subsequent development of CD audio and CD-ROM.

From the outset, there was an interest in using a laser vision discs to do more than just a record movies. The laser vision format supports recording in both a constant linear velocity (CLV) space format that maximizes storage capacity and a constant angular velocity (CAV) format that enables fast seek performance. By using the CAV format to access individual video frames quickly, a number of organizations, including MIT media lab, produced at a prototype interactive video discs that could used to teach and entertain.

In the early 1980s, a number of firms began looking at the possibility of storing digital, textual information all laser vision discs. Laser vision stores data in an analog form; it is, after all, storing an analog video signal. Different firms came up with different ways of encoding digital information in analog form so it could be stored on the disc. The capabilities demonstrated in the prototypes and early, narrowly distributed products were impressive. The videodisc has a number of performance characteristics that make it a technically more desirable media than the CD-ROM; in particular, one can build drives that seek quickly and deliver information from the disc at a high rate of speed. But, reminiscent of earlier disputes over the physical format of the videodisc, each of these pioneers in the use of laser vision discs as computer peripheral had incompatible encoding schemes and error correction techniques. There was no standard format, and none of the firms was large enough to impose its format over the others true sheer marketing muscle. Potential buyers were frightened by the lack of a standard; consequently the market never grew.

During this same period Phillips and Sony began work on its way to store music on optical discs. Rather than storing the music in the kind of analog form used on video discs, they developed a digital data format. Philips and Sony had learned hard lessons from the expensive standards battles over video discs. This time they worked with other players in the consumer products industry to develop a licensing system that resulted in. the emergence of CD audio as a broadly accepted, standard format as soon as the first discs and players were introduced. CD audio appeared in the United States in early 1984. CD-ROM, which is a digital data format built on top of the CD audio standard, emerged shortly thereafter. The first commercially available CD-ROM drives appeared in 1985.

Not surprisingly, the firms that were delivering digital data on laser vision discs saw CD-ROM as it a threat to their existence. They also recognized, however, that CD-ROM promised to provide what had always eluded them in the past; standard a standard physical format. Anyone with a CD-ROM drive was guaranteed that he or she could find and three sector off of any disc manufactured by any firm. For a storage medium to be used in publishing, standardization at such a fundamental level is essential.

What happened next is remarkable considering the history of standards and cooperation within industry. The firms that had been working on products to deliver computer data from videodiscs recognized that a standard physical format, such as that provided by CD-ROM, was not enough. A standard physical format meant that everyone would be able to read sectors off of any disc. .but computer applications to not more in terms of sectors; they store data in files. Having an agreement about finding sectors, without further agreement about how to organize the sectors into files, is like everyone agreeing on an alphabet without having settled on how letters are to be organized into words on a page. In late 1985 the firms emerging from videodiscs/digital data industry, all of which were relatively small, called together many of the much larger firms moving into the CD-ROM industry to begin work on a standard file system that would be built on top of the CD-ROM format. In a rare display co-operation, the different firms, large and small, worked out the main feature of a file system standard by early summer of 1986; that work has become an official international standard for organizing files on CD-ROM.

The CD-ROM industry is still young, though in the past years it has begun to show signs of maturity: it is moving away from concentration on such matters as disc formats were concerned with CD-ROM applications. Rather than focusing on the new medium in isolation, venders are seeing it is an enabling mechanism for new systems. As it finds more uses in a broader array of applications, CD-ROM looks like an optical publishing technology that will be with us over the long term.

Recordable CD drives make it possible for users to store information on CD. The price of the drives and the price of the blank recordable CDs make this technology very appealing for backup. Unfortunately, while the speed of CD readers has increased substantially, with 52X (52 times CD audio speed) as the current standard, CD recorders work on the same speed.

The latest technology for CDs is the DVD, which stands for digital video disc or Digital versatile disc. The Sony Corporation has developed DVD for the video market, especially for new high-definition TVs, but DVD is also available for storing files. The density of both tracks and bits has been increased to yield a sevenfold increase in storage capacity. DVD is also available in two sided medium that yields nearly 10 GB per disc.

As with every review I write, I began by sitting down, and quickly skimming through the first 10 or 20 seconds of each track on this album, before returning to the beginning to start listening in detail. During the skimming I got the feeling that this was an album I could really get into… there was just something so familiar about the whole vibe this joint seemed to be giving off – it was like sitting down to build with an old friend or something. At a time when a lot of Hiphop that’s coming out is built around MTV videos, and commercial stereotypes, its nice to be able to take things back to the essence without it seeming like an artist is “trying too hard” to take it back to the essence…

Right from the opening intro cuts, (the far-too-short ‘Jussa Playa’, and ‘Aural Sects’) the warm feelings just emanate from the speakers. Both are comprised of gorgeous little jazzy loops, that hook you in, welcoming you to sit down and chill with Dwight for a little while. The latter cut is a minute and a half glimpse into the intricacies of Bass D’s production methods and influences – coming off as a cousin of Tribe’s ‘Mr Muhammed’, with splatterings of the Beasties’ “Paul’s Boutique” signature of dropping vocal samples in anywhere and everywhere.

‘Antemeridian’ and ‘Postmeridian’ also provide evidence to back up Dwight’s claim to “have finally mastered the art of the MPC”, both being heavy on the headnod scale. ‘Antemeridian’ in particular stands out, and is really the first opportunity to hear D on the mic. Its hard not to draw a comparison with Pete Rock, not only due to the jazzy horn laden loops homeboy has hooked up, but also due to the fact that vocally they are incredibly similar.

The album continues with ‘How We Met’ and ‘Sanctuary’ – both a little more laidback that anything that’s come before. ‘How We Met’ is the first track to feature a guest – in this case its Edan, who also helped with the production for this joint. Over another mellow beat, Edan comes with some futuristic crazy type rhymes that are perhaps a little out of place over such a laidback beat. ‘Sanctuary’ meanwhile is constructed around a haunting vocal sample hooked up by DJ Pocket, and provides the closest examination so far of Dwight’s skills on the mic.

‘Subwoofer (Dumile)’ sounds like something that would sit comfortably at home on KMD’s “Mr Hood” album. No surprise when you realise that Dwight is down with MF Doom (formerly Zev Love X of KMD) and MF Grimm. Over a sprinkling of acoustic guitars, Bass D throws up references to his two MF pals, Monie Love, Spinderella, Funkytown Pros, and Timothy McVeigh… don’t worry it all makes sense when you hear it!

As you progress through the album its clear that Bass D is supremely skilled on the boards. If what you’ve already heard doesn’t convince you, then the middle portion of the album certainly should. ‘Truth To Light’ is all about an addictive Hammond organ loop and Nice & Smooth samples. Bass D even corrects Greg Nice’s infamous faux pas – on this cut, Dizzy Gillespie does indeed play a trumpet. ‘Real Music vs Bullshit’ meanwhile presses home the idea that “real music’s gonna last – all that other bullshit is here today and gone tomorrow”, over an incredibly funky bassline that is the main driving force behind this track.

Its ‘August 25,2001′ though that really serves to illustrate the fact that Hiphop music IS music. When people try to write it off using the typical stereotypes that always get pulled out of the air… just throw this on and laugh in their face. This is beautiful music – with a PURPOSE to, as its an ode to the late Aaliyah. Echoing synths, understated snares that “double-snap” in all the right places, and a genius inclusion of snippets of Bonez Thugz vocals make this track the perfect tribute to the talented young vocalist.

The second half of the album is equally strong. ‘Reign Or Shine’ features a harder beat built around Lord Finesse and Mobb Deep samples, and really throws you for a loop when you hear guest emcee Rayna Shine (geddit?) spitting. Why? Well the fact that she sounds around 10 years old probably has something to do with it! Despite sounding tender in years she handles her mic duties extreme competently. As does MF Doom on the aptly named ‘Quite Buttery’ – ol’ Metal Face flows effortlessly in his usual uncopyable style over a nice jazz piano loop, before we proceed to Dwight’s shoutout to the incarcerated MF Grimm, ‘Blues For Percy Carey’. It really is quite an emotional little piece, and should be recognisable to many for its inspired use of the Hill Street Blues theme.

‘Seven Years’ manages to pull off the often difficult task of dropping a Hiphop cut with a catchy female hook, WITHOUT sounding like it was intentionally made to sound a little commercial. In this case its Dionne Farris on the chorus, as Bass D talks directly to his wife, thanking her for being with him, for having kids with him… stuff that a lot of rappers should take notes from. THIS is keeping it real.

J Rawls pops up on the boards on the sparse ‘Ohio Players’, as Dwight drops an almost spoken word freestyle, before the superb title track lurches into view, throwing up images of classic mid-90’s Hiphop classics, with its horn heavy break. Seriously – this beat is just fucking disgusting, and Bass D blesses it with a flow that matches perfectly. Boasting, braggadocio nonsense, that left me with a big smile on my grill.

The last few cuts round the album off perfectly – ‘Take Control’ is beautiful. Mary J Blige samples float in and out as a dreamy bassline takes centre stage, and Bass D turns the snares on and off like a tap, making this jump from rootsy soul joint to upbeat banger and back. Meanwhile ‘Coming Soon’ is a crafty ploy to hide a bonus track in among the end of album silence. Its definitely worth skipping forward through the quiet to hear it – its an instrumental mishmash of synths, horns, and stern sounding broadcast announcers that would really soud quite ill with some lyrics laid over the top.

Its hard to find fault at all with much of the album. There’s really only a couple of tracks that I can say I didn’t get into as much as the others – ‘Blackman Dreams’ has its heart in the right place, but the production here is a little bland. Or maybe it just seems that way because the preceding tracks have built the levels of expectation so highly. ‘No Time For Fakin’ (Part 2)’ features Dwight singing rather than spitting, and although there’s a familiarity about the music, (an electro-tinged version of the JB’s ‘Same Beat’), it all seems a little TOO experimental. Saying that though, it is one that will grow on me – its already starting to! The only other minor bug for me was the fact that several tracks were too damn short! It seemed that I was just getting into some of them, and all of a sudden they ended. A minor point really, and one which is really negated by the fact that the track coming right behind was normally equally good.

So a round of applause for Dwight Farrell. If this doesn’t feature in many peoples’ top ten albums of 2002, then there’s something wrong with your collective ears. This is easily one of the best albums I have heard so far this year, and there’s nothing else to do but give it the high marks it obviously deserves. You NEED this.

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Want to find the perfect job? Wonder how to get employers to notice you? Then you need to have the perfect resume. Here is a guide to on how to make the perfect resume. Making a resume can sometimes be a difficult task for a person especially when they have never made one before. Anyone can make a resume, even if you don’t have any work experience. Here are the tips to the perfect resume.

Tip 1: Have the right size text

When making a resume it is always appropriate to have the right size text. Employers look for resumes that are easy to read. Never have the text size on your resume less than 10 and more than 12.

However there is one exception to text size. This exception is for your name. The text size for your name should be around 24-26. The name is supposed to be bigger than the other text on your resume. This is important because you want employers to notice you.

Tip 2: Margins

Margins are important to your resume because it helps format how it looks. Depending on how much text and information you have on your resume the margins can differ. If you have less text on your resume then the margins can be a little bit bigger, if your have more text then the margins can be smaller so you can have more room.

Tip 3: Length and Style

Most professional resumes are usually only one page not including cover letter and references. The reason you’re resume should only be one page is because most employers glance at your resume for 30 seconds. If a resume is too long employers will not look at it.

You make notice that different computer programs offer templates for resumes. These templates can be helpful however it is more professional and creative if you make your own resume on a word document. Always type your resume on a computer, and NEVER write it. Also instead of printing your resume on regular white page use resume paper that you can purchase at a store.

Tip 4: Layout and Format

The layout and format of a resume is very important. Here are the things you should definitely put on your resume in this order.

Name, Address, Contact Information
Always put your name, address, and contact information on the top of your resume

Objective

When writing your resume always put an objective for the position you are applying for. An example of an objective can be: To obtain a sales position, or Interested in an internship in marketing. Make sure your objective is clear and right to the point. The objective should be stated in one sentence.

Education

The next thing should put is any education you have. This includes high school, college, and etc. There you should state the school you went to, the years you attended, major or what diploma or degree you received. You can also mention your GPA, and classes that are related to the position you are applying for. Schools should be listed in chronicle order by year.

Experience

Experience is probably one of the main important parts of a resume. A lot of employers look for experience. Here you can put any work and volunteer experience. Put the company or place you volunteered for, dates, position, and describe what you did in these positions. Make sure to also list these in chronicle order by date, recent first.

Skills

Next you can list any special skills you have relating to the position these can include languages you know.

References

Here you can usually put available upon request. Most employers will let you know if they what references or not.

Make sure to follow these tips and you will definitely impress employers!

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A new U.S. government report says that 2006 was the hottest year on record for the United States, and that the increase in global warming and El Niño both played a role.

December 2006 was the fourth warmest December in the United States since record-keeping began in 1895, according to the report, which was issued by the government's National Climatic Data Center. Five states had their warmest December ever on record, and not one single state was colder than average for the month. Six other months were also much warmer than average.

Both El Niño and global warming due to greenhouse gases played a role. According to the government's report, “The unusually warm start to this winter reflected the rarity of Arctic outbreaks across the country as an El Niño episode continued in the equatorial Pacific. A contributing factor to the unusually warm temperatures throughout 2006 also is the long-term warming trend, which has been linked to increases in greenhouse gases. This has made warmer-than-average conditions more common in the U.S. and other parts of the world. It is unclear how much of the recent anomalous warmth was due to greenhouse-gas-induced warming and how much was due to the El Niño-related circulation pattern. It is known that El Niño is playing a major role in this winters short-term warm period.”

The Washington Post quotes Jay Lawrimore, chief of the climate monitoring branch of the National Oceanic and Atmospheric Administration, as saying that “eople should be concerned about what we are doing to the climate.” He said, “Burning of fossil fuels is causing an increase in greenhouse gases, and there's a broad scientific consensus that is producing climate change.”

Worldwide, 2006 was the 6th hottest year on record. A recent report from the British government's Meteorological Office predicts that there is a 60% chance that 2007 will be the hottest year ever worldwide.

According to a press release from the Union of Concerned Scientists, “the amount of CO2 in the atmosphere is the highest it has been in the past 650,000 years.” Dr. Brenda Ekwurzel, a climate scientist with the organization, said “Heat-trapping global warming gases remain in the atmosphere for decades or centuries. Realistically, we have to start fighting global warming in the next 10 years if we want to secure a safe environment for our children and grandchildren.”

Sources:

Climate Experts Worry as 2006 Is Hottest Year on Record in U.S., by Marc Kaufman, Washington Post, Jan. 10, 2007

Climate of 2006 – in Historical Perspective, Annual Report, National Climatic Data Center, Jan. 9, 2007, http://www.ncdc.noaa.gov/oa/climate/research/2006/ann/ann06.html

NOAA Reports 2006 warmest year on record for U.S., National Oceanic & Atmospheric Administration website, http://www.noaanews.noaa.gov/stories2007/s2772.htm

2006 Warmest Year on Record in U.S., Union of Concerned Scientists press release, Jan. 9, 2007

Historically Hot in 2007, Spiegel Online, Jan. 4, 2007

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The Query

In considering the topic, “Did Serbian Inventor Nicola Tesla Suffer From Asperger's Syndrome?” we need to know two things. Firstly, who was Nicola Tesla, why is he of note so that we are discussing him, and what was any symptomatology he displayed? Secondly, What is Asperger's Syndrome and what aspects in particular would seem to identify any condition he might have had as Asperger's Syndrome?

The Man

There are other articles on the life of Nicola Tesla that are informative and concise, but for our purposes, I will say he was what some have called a Mad Scientist. An extremely bright, absorbed electrical engineer and inventor, largely responsible for the very electricity we have in the outlets of our houses, alternating current (ac), and he developed what is called polyphase current, which is generally used by industry. By no means was he limited to developing these, but these are arguably his most important contributions to society.

Tesla was the quintessential eccentric. Some would say, in fact, he went beyond that. Even in younger years, Tesla possessed the ability to memorize entire books. He also had the ability to visualize a project before even putting it to paper. In effect, he could construct something in his mind and observe how it would run. He exercised traits that some might attribute to various personality disorders. Because in later years he tended to be dominated by a desire to do things in certain ways according to certain numbers, it has been thought he may have suffered from Obsessive Compulsive Disorder. However, I maintain these may be attributed to another possibility – that of Asperger's Syndrome.

The Condition

What is Asperger's Syndrome? Currently, AS is conceived as being a variety of autism. Unlike Kanner's view of autism, Asperger's involves children who start life, usually quite bright in intellect, or even brilliant (Hans Asperger described his young patients as “little professors”). There are certain aspects of their lives that are quite atypical. The senses may be heightened – particularly that of touch and of hearing – and the children tend to be non-communicative except in certain instances, when a topic they are obsessive about, is discussed. Then sufferers may be ebullient in their verbalizations, “bending your ear” on the topic. Usually the subject is one of a technical nature. In matters involving humans, they may show a complete or nearly complete lack of empathy.

It is well-known that some sufferers become fascinated with orderliness. They often will line things up, neatly, in a certain order.

The Comparison

I maintain that this sounds incredibly like Tesla. Tesla would neatly stack a prescribed number of linen napkins at each meal. He had an unbelievably heightened sense of hearing. Nicola Tesla said, in his autobiography, “It was here [in 1880] that I suffered the complete breakdown of the nerves to which I have referred. What I experienced during the period of the illness surpasses all belief. My sight and hearing were always extraordinary. I could clearly discern objects in the distance when others saw no trace of them. Several times in my boyhood I saved the houses of our neighbours from fire by hearing the faint crackling sounds which did not disturb their sleep, and calling for help. In 1899, when I was past forty and carrying on my experiments in Colorado, I could hear very distinctly thunderclaps at a distance of 550 miles. My ear was thus over thirteen times more sensitive, yet at that time I was, so to speak, stone deaf in comparison with the acuteness of my hearing while under the nervous strain.”

My Involvement

Why might I, the author of this brief article, think Nicola Tesla and Asperger's Syndrome go together? Perhaps I am putting myself too much into the picture. I suffered in the same fashion as Tesla. My hearing led to great difficulties for me. My sense was so heightened, once, when I absent-mindedly left my wristwatch in my room at bedtime, it drove me to distraction. I took the watch across the room and put it under piles of clothing in my dresser, and returned to bed. The ticking was loud and clear to me, and I had to get up again and remove the offending watch entirely. My son has Asperger's Syndrome, and I have come to realize that I apparently was not left unscathed by the same condition.

Oh, memory? While my short-term memory is atrocious, once I told someone to give read me a list of eighteen digits, then to repeat them slowly once, and I would say them back to him – backwards. I succeeded.

Can You Answer?

So am I an authority? No. I am a chemist not a doctor. But there are others out there who may be willing to consider my suggestion. If you are one of those, would you be willing to look into the matter so you can come to at least a likely medical answer to the question, “Did Famed Inventor Nicola Tesla Suffer From Asperger's Syndrome?”

Sources:

http://video.google.com/videoplay?docid=2188562935002257117

http://www.stargazing.net/Astroman/Tesla.html

http://www.pbs.org/tesla/

Generation 1 Transformers I want to see get the Universe/ Classics treatment

Transformers Universe is a line of Transformers, using characters from the 80' toy line and remaking them today using modern technology. The result usually, when they are not simply re-issues, is a toy that looks at least as good as it did back then but, is far more play-with-able. Often these characters are directly taken from well known characters however sometimes they are lesser known in order to increase the number of toys for sale. The colors are much simpler and “real” world than in other toy lines like Transformers Animated. Universe and newly merged line Classics another similar Transformers line created Universe Classics 2.0, which does not follow any particular cartoon or comic series.

Transformers I would like to see given new life with modern/more futuristic vehicle modes and robot modes that are pose-able and fun. By Generation 1 I include not just US Generation 1 but, also the continued Japanese Generation 1 including; Headmasters, Super God Masterforce and Victory.

Cosmos: I would love to see a modern take on Cosmos. No need to change his alternate mode of flying saucer, just make the figure a deluxe (or even scout class) and make it pose-able. This was one of my favorite toys back in the day and to see it articulate and a deluxe would be awesome!

Warpath: I love the tank Transformers, and Warpath was the best! While he did have a mild case of something like Tourette Syndrome, he was quite fun for a little boy. Give him a deluxe mold and make him a German StuG 3, or maybe something futuristic like the XM1202 Mounted Combat System. I have heard rumor that Warpath may be coming to the Animated line, in which case that would be cool as I am pleasantly happy with the toy line so far.

Tracks: Tracks was a great character in the cartoon and the original toy was great because, not only was it a faithful representation of a then current Corvette but it could change into a flying Corvette. Beat that! The Alternators line a few years ago did a great job on the robot and Corvette but left out the flying mode. This time I would love to see it come back, although I would love it to be the new 2009 Corvette ZR-1 or even the C6.R, with the flying mode and still be very articulate! And flaming Autobot symbol is a requisite.

Rodimus Prime: While Hot Rod received a decent treatment in the Classics line that did include nice touches like a fold out saw on his hand. Rodimus Prime got a somewhat lackluster treatment in the much maligned Titanium line. The figure was badly proportioned and my experience with the toy line did not impress me. I would love to see Rodimus Prime get a classics treatment. A voyager size would be good, like Optimus. This one might be hard as Rodimus vehicle mode is nothing without his trailer. This is another one that may come to the Animated line, which may or may not work for Rodimus Prime.

Apeface: I loved the Horrorcons, two Decepticon Headmasters that were triple changers. Apeface could become a futuristic jet, a robotic gorilla and a robot. I had both as a kid and would love to see them get the Universe treatment. The jet was fine and would still look futuristic today, we just need a more realistic gorilla mode and great articulation for both gorilla and robot mode. Head Master ability is a must!

Snapdragon: I mentioned Apeface, now I have to throw in Snapdragon. This was my favorite of the two Horrorcons. Snapdragon's three modes were a futuristic jet, a robot and a robotic dragon. The Universe treatment would keep the three modes but would see the dragon looking a lot better and both dragon and robot become much more articulated. Headmaster ability is a must! If I had to pick between getting one or the other Horrorcon's remade, it would be this one.

Ricochet: Ricochet was a re-paint of Jazz released in the Headmasters series. Seeing an updated version in the Universe line would be cool. Especially if some kind of Porsche type mold could be acquired. Of course it would have to be a Targetmaster, using something more like the mini-cons of Armada fame. A little guy that turned into a gun, but was also at least a little pose-able would be great.

Nightbeat: In the comics Nightbeat was a street hardened detective who was not above using dirty tricks to get the information he needed. Nightbeat has had several figure releases, none of which has done him justice. Botcon 2008 has a limited edition Alternators version, but it will be a limited release. This would be a great guy to maybe release alongside Ricochet as they were both Porsches. Nightbeat however would be a Headmaster.

Darkwing and Dreadwind: We are already getting a universe treatment of Darkwing but, it is not a Powermaster, the inclusion of this feature would be really cool but, what would be best is to get Dreadwind and be able to combine to form the super-jet Dreadwing.

Quake: Quake was a Targetmaster tank from the Super God Masterforce series. Quake came with two Targetmaster buddies, Tiptop and Heater, either of which could replace his tank barrel and both of whom could combine to form a super weapon. The Universe Quake would retain both Targetmasters, who would get mini-con articulation, and Quake would become a newer, possibly conceptual tank, like the Russian Black Eagle MBT. The robot would then get Universe style articulation.

Motormaster: I liked Motormaster, I was not super hot on the combiners but I liked Motormaster. In the original stories Motormaster was created by Megatron to counter the dominance of Autobots on the road. He was a cold and cruel warrior who longed to take the title of king of the road from Optimus Prime. This would be an interesting one; it would likely need to be Voyager class size. It could even use the same, or a similar, mold to Rodimus Prime. Hasbro showed ingenuity with slightly altered Transformations for the Sideswipe/Sunstreaker twins, this would allow them to really flex their muscles. On Rodimus the cab, or at least the front end, would need to become the chest and on Motormaster the cab/front end would need to become the feet. Give him his original color scheme and make him pose-able and done deal! A great style to use would be Motormaster's Cybertronian truck mode from Dreamwave productions Transformers comics. His Cybertronian truck mode would work well for Motormaster and Rodimus Prime.

Jhiaxus: Another comic character, this one however did get a treatment in the Robots in Disguise line. The toy was a orangy repaint of a relatively lame Beast Machines mold. The Universe Jhiaxus would be a futuristic spacecraft (redundant I know) whose robot mode would have great articulation. Something to think about would be that since this guys character is somewhere in the Megatron level, maybe make him a triple changer with the third mode being a Cybertronian tank.

Now preferably all these guys would get at least deluxe class figures. Several like Cosmos and Warpath could possibly make do in Scout class and Rodimus Prime, Apeface and Snapdragon would likely necessitate something larger like Voyager class. The Transformers mythos has a lot of characters; from both the cartoon, movie and comic realms, so there is no need to only remake a limited number of characters. Plus when these characters get the reimagining it would be nice to attempt to incorporate original gimmicks, like the Headmaster on Nightbeat or Snapdragon, or Targetmaster for Ricochet and Rodimus Prime.

Thank you for reading.